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Iðunn and the Golden Apples of Immortality

ᛟ · Norse Gods & Mythology

Iðunn and the Golden Apples of Immortality

August 30, 2026·5 min read·Runestone Norway

The Norse gods are not immortal in the way that, say, the Greek Olympians are. They age. They can be wounded. They can die — and at Ragnarök, most of them do. What keeps them young and vigorous through the long age of th

The Norse gods are not immortal in the way that, say, the Greek Olympians are. They age. They can be wounded. They can die — and at Ragnarök, most of them do. What keeps them young and vigorous through the long age of the world is something far more precarious: a basket of golden apples, tended by a single goddess, whose name means The Rejuvenating One.

Iðunn is one of the quietest goddesses in Norse mythology, and one of the most essential. Without her apples, the Aesir grow old. Without her, Asgard falls.

Who Is Iðunn?

Iðunn is the wife of Bragi, the god of poetry and eloquence. She is described in the Prose Edda as keeping the apples in a box and giving them to the gods to eat whenever they feel old age approaching. The gods will keep this up until Ragnarök, when Iðunn and her apples will no longer be able to hold back what's coming.

Her name comes from the Old Norse root meaning to renew or to rejuvenate. She is connected to spring, to renewal, to the return of vitality after winter — themes that make sense for a goddess who literally keeps the divine powers of the Norse cosmos from declining into age.

She's a minor figure in terms of the number of myths she appears in directly. But her importance is structural rather than narrative: she is the pin that holds the gods' power together.

The Myth: The Theft of Iðunn's Apples

The most important myth involving Iðunn is her abduction — told in the Skáldskaparmál section of the Prose Edda and in the Eddic poem Hávarsmál. The story begins, as so many Norse myths do, with Loki's involvement in something that should not have happened.

Odin, Hönir, and Loki are travelling together when they stop to cook an ox. The fire won't work. A great eagle sitting in a nearby oak tree offers to help — if he gets a share. They agree. The eagle takes the thighs and shoulders — far more than a share — and when Loki tries to drive it off with a stick, the stick sticks to the eagle, and Loki finds himself being dragged through the air at terrifying heights.

The eagle is the giant Thjazi in disguise. He won't release Loki until Loki swears an oath to bring him Iðunn and her apples outside Asgard's walls. Loki, terrified, agrees.

Back in Asgard, Loki tricks Iðunn. He tells her he's found some wonderful apples in a forest outside Asgard that she should compare to hers. She comes out with her basket, and Thjazi — again in eagle form — swoops down and carries her away to his hall in Jötunheimr.

The effect on Asgard is immediate. Without Iðunn and her apples, the gods begin to age. Their hair goes grey. Their joints stiffen. They become old. The Aesir gather, frightened, and when they look for Iðunn, she and Loki were the last seen together. Loki is summoned and threatened with death and torture until he agrees to fix what he caused.

The Rescue

Freyja lends Loki her falcon cloak — a garment that transforms its wearer into a falcon and allows flight between worlds. Loki flies to Thjazi's hall, Jötunheimr. The giant is fortunately out fishing. Loki finds Iðunn, transforms her into a nut — or a swallow, depending on the version — grips her in his talons, and flies for Asgard.

Thjazi returns, discovers Iðunn is gone, transforms into his eagle form, and gives chase. The chase across the sky is described with vivid urgency: the falcon ahead, the eagle behind, closing the distance. As they approach Asgard's walls, the gods pile shavings in the courtyard. When the falcon and its cargo clear the walls, they light the shavings. The eagle, unable to stop, flies into the fire and falls. The gods kill Thjazi.

Iðunn is restored. She gives the gods her apples. They become young again.

The Aftermath: Skaði's Arrival

The myth of Iðunn's abduction leads directly into another major Norse story: Thjazi's daughter Skaði arrives at Asgard in armour, demanding compensation for her father's death. The gods agree to her terms — laughter (Loki makes her laugh by tying his beard to a goat) and a husband chosen by feet alone, with the hope that she'll pick Baldr. She picks Njord instead — the most beautiful feet at the gathering turn out to belong to the sea god. Their mismatched marriage, between a mountain giantess and a sea god, is one of the most human stories in Norse mythology.

What Iðunn Represents

Iðunn is the personification of the vitality that keeps the world going. Her apples are not a one-time gift; they must be eaten regularly, over and over, to hold off ageing. This is not the immortality of the Greek gods — it is a maintained state, constantly renewed, always at risk.

The mythology is making a point about vitality: it is not a possession but a practice. What keeps the gods powerful and young is not an innate quality but an ongoing relationship with a source of renewal. When that source is taken away, they decline immediately. This is a very Norse way of thinking about power and its maintenance.

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Frequently Asked Questions

Are Iðunn's apples like the apples of youth in other mythologies?

Similar concepts appear in many mythologies — the fruit of immortality, the life-giving food of the gods. The Norse version is distinctive in that the apples must be continually consumed rather than providing permanent immortality, and in that they can be lost — which is the engine of the most important Iðunn myth.

Is Iðunn Aesir or Vanir?

Her divine family is not clearly specified in the sources. She is described as Aesir in the sense that she lives in Asgard and is the wife of Bragi, but her older origins are not detailed.

What happens to Iðunn at Ragnarök?

The sources don't give a clear account of Iðunn's fate at Ragnarök specifically. The implication is that without her apples, the gods cannot fight off ageing as Ragnarök approaches — which may be part of how the end comes.